The various techniques used to create the illusion of flying human figures amused and inspired the young artist. The artist worked on several theatrical productions in his early years, under the guidance of his master, Andrea del Verrocchio. He believed that in understanding the various elements of anatomy, that perhaps he could start to understand the world in which we live, with much still to be discovered at that point in European history. We would see within Vitruvian Man at how the artist saw the complexity of the human world, and the way in which everything is interlinked, was similar to the wider world. This resulted in an impressive handling of muscle and bone structure within his paintings and drawings. He would sketch the human and animal anatomy endlessly, delving into the details of how each action was produced. Leonardo had always been interested in the natural world, and would observe it in order to understand how it worked.
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